April 28, 2017 § Leave a comment
Please join us to celebrate the launch of Geologic Intimacy (Yu no Hana), a new publication recording the two-year project by artist Ilana Halperin, curated by Naoko Mabon, between the Japanese island of Kyushu and Scotland.
Friday May 5, 2017. 5pm to 7pm | Publication Launch with project introduction by Naoko Mabon at 5.30pm.
Patricia Fleming Projects, Glasgow
To conclude this ambitious project, Halperin and Mabon worked with the Glasgow design studio Graphical House on a limited edition Artist Book. The soft cover publication has 16 pages of full colour images and texts in both English and Japanese language. It acts as a printed journey reflecting the diversity of the locations and cultures involved in the project. It captures the philosophical and poetic approaches within Halperin’s practice of thinking in time scales longer than the human lifespan.
Geologic Intimacy (Yu no Hana)
Softcover publication, 16 pages with texts by Ilana Halperin and Naoko Mabon.
Designed and published by Graphical House.
Printed in a limited edition of 100 copies.
Available to purchase at £12.00 (excl. P&P). Special Launch price £10.00
For more on the project, please visit:
This project is supported by: Creative Scotland; Aberdeen City Council; Peacock Visual Arts; NPO BEPPU PROJECT; The Elephant Trust; Graphical House; and Patricia Fleming Projects.
April 4, 2017 § Leave a comment
Exhibition runs: 31st March – 29th April 2017
Location: Peacock Visual Arts. 21 Castle Street. Aberdeen AB11 5BQ
Curator’s tour: 22nd April 2017, 3pm
Artist’s Talk: Saturday 1st April 2017, 3.00-4.30pm
Ilana Halperin will be in conversation with Professor Tim Ingold from the Anthropology Department of the University of Aberdeen and Peacock Visual Arts’ Director Nuno Sacramento about her exhibition.
Peacock Visual Arts are delighted to present Geologic Intimacy (Yu no Hana) by Ilana Halperin. Following the first showing of this work at Fujiya Gallery Hanayamomo in Kyushu, Japan, Geologic Intimacy (Yu no Hana) will extend to include a new series of prints commissioned by Peacock.
This project marks the first time Halperin has exhibited in Japan and Aberdeen and continues a historical narrative between Kyushu and Aberdeen which began with the 19th Century ‘Scottish Samurai’ merchant Thomas Blake Glover.
For 20 years, Ilana Halperin dreamt about Beppu. In 1995, back in the urban geology of New York City, she found a book on the street about volcanoes. A chapter on Beppu featured – with photographs of children cooking eggs on the streets, steam coming through every crack in the sidewalk, and a pool as red as blood. In New York, steam vents erupted at every corner, but these were industrial rather than natural. She imagined a correlation between her home city and Beppu, a place with steaming vents and boiling springs, where daily life was lived and informed by a direct relationship with geothermal phenomena.
In 2014, Halperin went to Beppu for the first time on a research residency with BEPPU PROJECT. Geologic Intimacy (Yu no Hana) grew out of this time. Beppu is the second most geothermally active site on earth, after Yellowstone, USA. It is a primary location for the potential of geothermal power in Japan. Over the course of a year, new geothermal sculptures slowly formed in the Kannawa hot springs of Beppu. In September 2016, Halperin returned to Beppu to take the new sculptures out of the water and install a solo exhibition at Fujiya Gallery Hanayamomo, a beautiful listed Meiji Era building. The exhibition coincided with the blossoming of the venue’s 200-year-old Mokusei tree, reflecting philosophical approaches within Halperin’s practice – thinking in time scales longer than the human lifespan.
The exhibition at Peacock Visual Arts will feature new Japanese sculptures, alongside a geothermal sculpture formed in Iceland and new works on paper commissioned by Peacock. To employ experimental processes, field work, and traditional print-based methods, Halperin is developing a new series of work with Peacock’s Master Printmaker, Michael Waight, utilising Yame Washi paper – the oldest Japanese handmade paper in Kyushu which can last 1,000 years – in combination with hot spring minerals she collected in Beppu.
To pair with the ‘field pigments’ from Japan, Halperin visited Dr Allan Lilly, Principal Soil Scientist at The James Hutton Institute in Aberdeen in January 2017, who introduced her to the National Soils Archive founded in 1934. A selection of Scottish soil was generously donated to the project, including soil sourced from Slighhouses Farm where James Hutton, the ‘Father of Modern Geology’, farmed and began to formulate radical ideas about the age of the earth and deep geologic time. The nature of materials within these new works reflects the unique processes which formed the geothermal sculptures in Beppu, continuing the narrative of exchange between places intrinsic to this project.
Halperin and Mabon are working with the Glasgow based design studio Graphical House on a limited edition Artist Book that will mark the completion of the project, acting as a printed matter response to this ambitious and culturally diverse project. For more details on the publication visit the project website :
February 20, 2017 § Leave a comment
Between poles and tides : New Acquisitions from the University of Edinburgh Art Collection
February 11 – May 6, 2017
David Batchelor, Ian Hamilton Finlay, Ilana Halperin, Jessica Harrison, Fabienne Hess, Daniel Hughes, Daisy Lafarge, Jonathan Owen, Katie Paterson, Isobel Turley, Luc Tuymans, JL Williams
Between poles and tides speaks of elemental forces, natural rhythms, destruction, social discord and displacement. Consisting of works recently acquired by the University of Edinburgh Art Collection, the exhibition brings together artists exploring subjects including cosmology, politics and Deep Time, dealing with these concerns in universal, poetic and deeply personal ways. Including works from recent graduates to acclaimed international artists, Between poles and tides showcases the critical, imaginative and pedagogic possibilities opened up by the University’s new approach to collecting.
Following the University of Edinburgh and Edinburgh College of Art merger in 2011, the Art Collection was rejuvenated. With the aim of supporting research, teaching and public engagement, works are acquired from the annual ECA Degree Show, from notable alumni and artists exhibited at Talbot Rice Gallery. As a result, the Collection has significantly expanded to become a resounding celebration of the creative community in Edinburgh.
Between poles and tides is accompanied by a diverse programme of events that pair artists with academics, mirroring the important ecology that fostered the breadth of ideas reflected by the exhibition. Unpacking the complex and ambitious concepts contained within the artworks, these unique events extend the underlying principle of the Collection: to provide present and future generations with a catalyst for their own curiosity, engagement and learning.
November 22, 2016 § Leave a comment
Geothermal wonder at Fujiya Gallery…
September 15, 2016 § Leave a comment
For details of the opening event and all our geothermal investigations in amazing Kannawa!
August 31, 2016 § Leave a comment